National Repository of Grey Literature 3 records found  Search took 0.00 seconds. 
The Death Pit and the Glowing Swamp: A Permeation
Smutný, Jan ; Marek, Petr (referee) ; Cenek, Filip (advisor)
The work is connecting well-known symbols of alchemy and various esoteric traditions and giving them visual and narrative form. There is deconstruction and glorification of this type of philosophy in the same time. The characters of the story are symbolizing the german and slavic archetypes. Their voyage from the pit of death to the glowing swamp and vice versa is representing the ageless story of life and death, creation and destruction, body and soul, light and darkness. All the symbols are used in the ironic and serious way in the same time.
On the limits of inexspressible with C.G. Jung
Ryška Vajdová, Ivana ; Komárek, Stanislav (advisor) ; Pokorný, Vít (referee) ; Daněk, Tomáš (referee)
C. G. Jung (1875-1961) was one of the representatives of Depth psychology of the 20th century. In recent years, more attention has been paid to this direction thanks to Jung, or rather new archival discoveries of his work and his new publications. However, the historical and ideological context of Jung's work still remains relatively unknown. This work aims to map Jung's formative years and early work, which I date from The Zofingia Lectures (1896-1899) to the publication of Psychological Types (1921), in which I try to show how significantly he was influenced by philosophical ideas, especially Immanuel Kant (1724-1804), who, according to Jung himself, had the greatest influence on the analytical psychology he created. Since Kant's work has not become the subject of any of Jung's writings, this text works with passages across collected writings and letters in which Jung refers to Kant, while seeking a more general grasp of the way Kant's philosophical ideas are implemented in psychological theory. We will also touch on other philosophers to whom Jung is directly connected, such as Gottfried Wilhelm Leibniz (1646-1716), Arthur Schopenhauer (1788-1860), Carl Gustav Carus (1789-1869) and Eduard von Hartmann (1842-1906). I try to show that Jung uses already existing philosophical ideas in his...
The Death Pit and the Glowing Swamp: A Permeation
Smutný, Jan ; Marek, Petr (referee) ; Cenek, Filip (advisor)
The work is connecting well-known symbols of alchemy and various esoteric traditions and giving them visual and narrative form. There is deconstruction and glorification of this type of philosophy in the same time. The characters of the story are symbolizing the german and slavic archetypes. Their voyage from the pit of death to the glowing swamp and vice versa is representing the ageless story of life and death, creation and destruction, body and soul, light and darkness. All the symbols are used in the ironic and serious way in the same time.

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